"Overhead the albatross hangs motionless upon the air and deep beneath the rolling waves in labyrinths of coral caves; the echo of a distant time came willowing across the sand and everything is green and submarine"
Tuesday, December 7, 2010
Let me start by expressing how much I enjoyed this class. Even though the readings were long and tedious it presented a wealth of knowledge. I engrossed myself in the readings as I began to look forward to doing the assignments. I wish there had been more chairs to learn as I see the connection of interior artifacts to commodity, firmness and delight expressed by each architect. I see the use of these chairs much like paint on a wall as each one brings out a specific context and meaning to a space. I also wish there was a bit more specificity to the models assigned as several times I drew the wrong model chairs that possessed the same name. However I enjoyed drawing them as you imbibe the chairs essence in a way.
I also came to realize the point of the class in general; that we are searching for a new revolution and a new motion in design. Present day designers have not yet found the right process for revolution. Certain responses to modernism will never fit in when they stand with other moments in history. Some must stand alone in the separate communities to be appreciated in the whole. Instead designers must incorporate elements of modernism in with classical design, certain aspects of Art Nouveau did this well. This is a long term theory that cannot be accomplished within a single lifetime. It is a gradual change.
Take for example, environmental design. Case in point is the rebuilding of New Orleans. If stand alone modernism were inserted into the Historical Broadmoor district the juxtaposition would become an eye soar and architectural change would become a failure. To elaborate on my point; providing on odd single pitched roof where a gable would be more appropriate or pronounced stacking on foundation where there is very little within the community; or an odd wrap around curtain wall that is not present in any other structure in the area. The sudden shift to incorporate sustainability with revolutionary modernism in a historic district is a failure.
NC Triangle Student Finalist
An appropriate response to this would be to mimic the architecture of the surrounding homes and hint at modernism aspects while incorporating sustainability. This can be seen in the use of proportionate transom windows instead of glass walls and a slanted rock wall embracing the Spanish arch and hiding the oddity of a stairway. The gabled tympanum also tops off linear windows and leads to a single pitched roof matching the pitch of the gable. The interior is well defined with undulating heights and creates two connecting channels to ease motion while not providing a hollowed shell interior. This provides a foundation for modernism, as one home hints the others then have footing to change more and more. Then all of the sudden a revolutionary modernistic design does not look so odd. This concept takes time and that is why very few wish to grasp it. Sustainability and environmental change takes time and cannot be forced down the throats of the population through a global warming façade, carbon credits, cap and trade, and excessive taxation. Revolting will occur and change will not happen or will be postponed as perception becomes negative.